So here it goes.
Much like a comic, it all starts with the editors at HarperCollins sending me a script. They also send a pdf of the layout for the book that will usually include suggestions of what should appear on each page. Sometimes the suggestions are very specific and sometimes just ideas> I work witha really good edito and his input is invaluable.
I then take a quick pass at some roughs. Being on model at this point is really necessary. I'm mnore concerned with layout and trying to get enough information onto the page as well as creating a good visual flow :
Then I get a set of notes based on that and sometimes a rough revision is necessary. In this case the revision was more of a PhotoShop fix than an actual re-draw:
Once that rough is approved I then put everything on model and go to final ink with any editorial corrections:
And once the inks are approved I then go to color - or send it to my son for color (this partiucular book I did the color myself). First I lay down flat/base color. Unfortunately I no longer have the ffile where the BackGround was only flat color:
I then add shadows (and background details and texture):
and from there I had highlights and any effects and tadah...it's finished (after final approval, of course);
I might post a couple more of these if I have time, but I hope this has answered a few questions - or raised some questions (like why do they give him the work and not me...)